Showing posts with label queries. Show all posts
Showing posts with label queries. Show all posts

Wednesday, September 7, 2011

The fine art of waiting. AND, your second chance for a first chapter and query critique!

I ended my last post in my advice for aspiring writers series by telling you that waiting is the hardest part. But waiting is a huge part of publishing. You write a book. You query it. You wait. You get an agent. Your agent submits your manuscript to editors. You wait. An editor buys your book. You wait for your ed letter. You do your revisions. You wait for your copyedits. You do your copyedits. You wait for your ARCs. Then you wait another six months for your book. That's like eighteen months to two years of waiting just to get one book on the shelves. But then, guess what? You get to wait some more. If your book sold in a multiple book deal, everything but the agent bit applies with each new book. And then, if you write something new, it goes through the same submission process, and you get to wait some more to see if your editor wants your next project.

Don't get me wrong. I'm not complaining, per se. The waiting is a necessary evil. There is a reason the process is slow, and that's because it takes time to get it right. Agents want to know they're taking on projects they can be passionate about and that have a good potential for placement with an editor. They work their butts off and only get paid when they sell something, so they're going to take their time and be uber-careful about what they take on. In addition, they're super busy with their existing clients: reading new manuscripts and their numerous revisions; meeting with editors and pitching their latest projects, submitting manuscripts to editors and following up. Likewise, editors have their existing projects, and then stacks of reading for potential new projects. Once your book is in the pipeline, there are revisions, copyedits, pass pages. There's cover art and typography. Then there's the fact that Sales meetings, both in-house and with booksellers, happen months before the book is scheduled to hit shelves. You want time for your book to build buzz before it's released so by the time it's on shelves, someone other than your mother has heard of it.

But, it's hard. To me, it's the hardest part. I'm an instant gratification type person. I don't do well with waiting. I need to know RIGHT NOW OR OMG I'LL DIE if my editor was okay with my sequel, or if my crit partner thinks my plot holds together, or if my agent thinks my shiny new idea has potential. But, in the words of the Rolling Stones, you can't always get what you want. So, while I'm waiting, I'm blathering on to you about all my publishing secrets, book piracy and, yes, waiting.

I'm also reading a lot. And, if you want me to read something YOU wrote, here's your chance! The second of four first chapter and query critiques celebrating my two year agent signing is officially up for grabs. The critique never expires (until I do), and it is fully transferable, so enter for yourself or a friend! All you have to do to enter is fill out the form below. Link this contest on Twitter or Facebook to earn bonus entries. =)

Go ahead! You know you want to! And you might actually WIN and feel like this:

Enter by noon (PDT) on Friday, September 9th. The winner will be chosen by the randomizer and posted here after noon. Good luck!!!

Tuesday, August 30, 2011

How to hook an agent. (Advice for aspiring writers: Part 3)

So, after yesterday's post, you know what it takes to make your novel totally kickass. Today, I'll give you my tips on the dreaded query letter. And, don't forget! Tomorrow, a query and first chapter critique will go up for grabs here on the blog. So, to get you ready, here are my pearls of wisdom.

There’s all the stuff on query letters you can find on awesome blogs such as Nathan Bransford's, agent turned author, which I couldn't say any better. Without Nathan, I never would have had the first clue about where to start, so I owe him everything. You can have my first born, Nathan. No, really. Take her. *clears throat* But I digress. Nathan has the basic anatomy of a good query in his sidebar with links to examples. Read as many examples of successful queries as you can find. The only bit of my personal wisdom I can impart here is that, if you’re finding it difficult to find “the hook” for your query letter, maybe your novel doesn't have a strong enough one.

Just like your novel has to hook readers in the first few pages, your query letter has to hook agents in the first few sentences. You want to pick the most intriguing part or parts of your novel to focus on, and write a one to two paragraph catchy description. A good hook needs to allude to the conflict and tension in your novel, BUT…remember the purpose of the query is to get them to read the sample pages, so you don’t need to give everything away. You want to tantalize with the letter. Give them a taste and make them want to read to find out what happens. You definitely need to hint at the outcome, but you don’t need to spell it out. Think of it as a slightly spoilery jacket copy. You pick up a book, turn it over, and read the jacket copy. Based on that, do you want to read the rest of the book? If your answer is yes, there was a hook—something that drew you in. Something you absolutely need to do is avoid getting bogged down in the minutia. This is NOT a synopsis of your novel.

I hemmed and hawed over whether to share my Personal Demons query with you and finally decided I would. I’ve removed one sentence that is major spoilery, but the rest is what I sent to agents. For those of you who have read Personal Demons, you will see that there are major plot points missing, as well as major characters. (Think: Gabe) Again, the query letter is not a synopsis. Only include the most intriguing parts/characters from your novel. So, here goes:


Dear Ms. (Name of Agent),

I hope I can interest you in my young adult novel, Personal Demons.

Lucifer Cain works in Acquisitions—for Hell. Frannie Cavanaugh is a good Catholic girl with a wicked streak and a unique skill set that has the king of Hell tingling with anticipation. Luc shouldn't have any trouble tempting her down the fiery path, except she makes him feel things. Things demons aren’t supposed to be able to feel. But, despite how much he wants her, what he feels most is an overwhelming need to protect her—from him.

With the whole of Heaven and Hell doing battle for her soul, the last thing Frannie needs is to be lusting on some demon. But she is. So the big question is: does the mere fact she’s fallen for a demon condemn her to Hell? If it does, is that a bad thing if Luc’s there? But he might not be, because he’s changing. He’s also falling down on the job and the higher-ups are noticing—which generally means dismemberment and the Fiery Pit—unless she can figure out how to save him. But, before she can save him, she needs to save herself.

Personal Demons is a sinfully edgy 80,000 word young adult novel told in alternating first person points of view. It’s got something for everyone: angels, demons, action, love, humor, danger, a sound track and a little hanky-panky. If you’re tempted by Personal Demons, I’d love to forward sample chapters or the full manuscript at your request.

I want to sincerely thank you for your time and consideration. As requested, I have pasted the first (# of pages the agent asks for in submission guidelines) of my manuscript below. My contact information is also listed below.

Warm Regards,

Me

(Side note: Personal Demons was 80K words when I queried agents, and I'm told that's a pretty reasonable YA word count. It grew to 84K after revisions for my agent before we submitted, and to 91K in revisions for my editor. This isn't unusual.)

(Side note #2: It's generally okay to paste a few manuscript pages into your query even if the agent doesn't ask for any in their submission guidelines. I generally pasted in the first two pages in this case. That gave them a flavor, but sending more than that felt pushy to me.)

So, there you have it. My request rate with that letter was over 50%. Once you catch the agents attention enough to ask for the manuscript, the manuscript has to sell itself, so be sure not to query before you've done everything in yesterday's post and you know your manuscript is as killer as it can possibly be.

There are resources online, such as the lovely…I mean sharkly Janet Reid at Queryshark who will rip your query to shreds. Or, you can enter to win a query critique here tomorrow. I’ll also critique your first chapter (up to 20 pages). So, check back tomorrow for my advice on querying and to enter to win the first of four critiques.

Wednesday, September 23, 2009

Remembering how to breathe again

Okay. So the dust has settled and here it is…

After twenty-one queries, twelve manuscripts requests and three months of agonizing waiting, I had multiple offers of representation. All from really awesome agents. This was not a problem that I had anticipated.

Each of them was amazingly encouraging. They all seemed extremely energetic. They each had a really great submission plan for my novel. And they all seemed so friendly.

I think I asked all the right questions and gotten solid answers. I talked to some of their clients. I researched books they’ve sold and to who. And they all looked wonderful.

I didn’t want to say no to any of them.

But, finally, I made my decision. And I’m really happy with it.

I just signed my contract with Suzie Townsend at FinePrint Literary Management.

Now to work on revisions! (Which, believe it or not, I love!)